Have you ever visited the holy land of Varanasi and felt being engulfed in the awe of it? Hindus believe that one can obtain salvation and freedom from the cycle of birth and re-birth by dying in the sacred land, and hence, hundreds of cremations take place every day at the river bank. 6. Mukti Bhawan/Hotel Salvation (IMDb Rating – 7.5)
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The movie was screened at Palm Springs International Film Festival, where it was nominated in the list of 30 Best Feature Films. Poorna (IMDb Rating – 7.9)ĭo you that the youngest girl ever to climb the Mount Everest is Telangana girl Malavath Poorna? The 13-year-old is an inspiration for many!ĭirected by Rahul Bose, the film has received positive reviews from fans as well as critics. After all, we have all heard the story Bigg Boss 11 contestant and popular Haryanvi dancer Sapna Choudhary who once attempted suicide for the same reason, right?ĭirected by debutant Avinash Das and starring Swara Bhaskar and Sanjay Mishra, Anaarkali of Aarah is a story of a dancer who is harassed by a local politician as well as police, but the brave woman plots revenge and clears her name out of the controversy.Īlso Read: 15 Unforgettable Stills From Bollywood Movies That Will Stay In Our Hearts Till Eternity! 5. It’s only difficult to be a dancer in the country because people ridicule you to any extent. To know how he survives, watch the critically acclaimed film that won a standing ovation at the Mumbai Film Festival when it had its world premiere last year. Starring Rajkummar Rao in a stellar performance, Trapped is a story about a man who accidentally gets stuck in an empty high rise building without food, electricity and water. Ever wondered how you’ll manage in those times? With the current climate change scenario, the time is not too far when you will have to survive without the basic necessities. Starring brilliant actors such as Rana Daggubati, Taapsee Pannu, Kay Kay Menon and Atul Kulkarni, The Ghazi Attack is an Indian war film based on the mysterious sinking of Pakistani submarine PNS Ghazi during Indo-Pakistani War of 1971. Having premiered at 15th annual New York Indian Film Festival (NYIFF) and Indian Film Festival of Los Angeles (IFFLA), Nawazuddin’s brilliant performance in the film made him win Best Actor award at the NYIFF. Haraamkhor (IMDb Rating – 6.4)Įver heard about a married teacher’s affair with a student and how he/she exploits the teenager? Starring Nawazuddin Siddiqui and Shweta Tripathi, Haraamkhor is a story about a married teacher who woos his student for sexual advances. Here is your guide to the films that are actually worth your time. So if you are a movie buff, here are some of the must-watch Bollywood movies you need to re-watch before you enter 2018. The irony is that good artistic films fail to get all the limelight and the publicity that they deserve and we are here to fix that. While some brainless movies such as Golmaal Again and Judwaa 2 topped the box office charts, there were several other content-driven films such as Lipstick Under My Burkha and Newton (India’s official entry for Oscars) that glorified Hindi cinema this year and won several accolades abroad. Hence, before the beginning of the New Year that, we bring to you some of the best Hindi movies from 2017. Lamentably, even with its noble intention and strong performances, the movie never soars.2017 was an excellent year for movies. Is this film a befitting tribute to them? No. Behind the shine of stardom, there is the struggle of multitudes, who are unable to make it big here. In this country, the glam world permeates into every sphere of our lives. Salim Diwan doesn't impress much except for the climax. Raima Sen is sincere but her character is not well fleshed out and that fails her track. As ridiculous as his punar-janam yag seems, he evokes sympathy. His character is a manifestation of men who are stuck in a rut with their desires crushed due to family responsibilities. Ashish Vidyarthi, especially, is first-rate. But the actors do their best make you buy into it. There is hardly any novelty in what plays out on the screen. The characters’ overwhelming love for the silver screen binds the stories together. His respective stories - of a Sonargachi brothel worker with her dream to romance cinema, a family man, well past his prime age, who is stuck in a mechanical job and wants to go to Mumbai to pursue a career in acting and a youth so consumed by his love for cinema that he turns deviant - don’t converge. Satyam wants to say it all, even when the film’s writing is incapable of supporting his vision.
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